Ho-o-u-mi is a small valley, separated from Typee by a low ridge, and thither we started when we had knocked our indomitable and insatiable riding-animals into submission. As it was, Warren’s mount, after a mile run, selected the most dangerous part of the trail for an exhibition that kept us all on the anxious seat for fully five minutes. We rode by the mouth of Typee valley and gazed down upon the beach from which Melville escaped. There was where the whale-boat lay on its oars close in to the surf; and there was where Karakoee, the taboo Kanaka, stood in the water and trafficked for the sailor’s life. There, surely, was where Melville gave Fayaway the parting embrace ere he dashed for the boat. And there was the point of land from which Mehevi and Mow-mow and their following swam off to intercept the boat, only to have their wrists gashed by sheath-knives when they laid hold of the gunwale, though it was reserved for Mow-mow to receive the boat-hook full in the throat from Melville’s hands. “I had a dream last night,” he went on thoughtfully, his face slowly breaking into a glow. “It seemed that twenty-five nature men and nature women had just arrived on the steamer from California, and that I was starting to go with them up the wild-pig trail to the plantation.”!

Commend me the white race when it comes to grit and surviving. One of our two Japanese and both our Tahitians funked and had to be slapped on the back and cheered up and dragged along by main strength toward life. Charmian and Martin took their afflictions cheerfully, made the least of them, and moved with calm certitude along the way of life. When Wada and Henry were convinced that they were going to die, the funeral atmosphere was too much for Tehei, who prayed dolorously and cried for hours at a time. Martin, on the other hand, cursed and got well, and Charmian groaned and made plans for what she was going to do when she got well again. Her face was thin and her voice shrill. When she was twenty-five, she looked forty. After she had passed fifty, nobody could tell her age; erect and silent always, she resembled a wooden figure working automatically.

Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden. The narrow circle of her ideas grew more restricted than it already was; the bellowing of the oxen, the chime of the bells no longer reached her intelligence. All things moved silently, like ghosts. Only one noise penetrated her ears; the parrot’s voice. And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your hoard, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn’t stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you’ll keep on sliding and you’ll never reach the bottom. Please don’t laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.